Modernist Intentions or Post-Modernist Intentions- Part ll

This is a building of international significance, which defined modernism's late-1950s shift towards a greater individualism and gave it a truly British character. Leicester eschewed Scandinavian influences for liver red Accrington brick and Dutch tiles, with aluminium-framed patent glazing, an updating of the industrial architecture of England's nineteenth-century cities. Such a use of Victorian elements combined with constructivist forms and a twelve-story tower is dramatic.

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