Detail - Context - Louis Kahn - Yale Center for British Art 1974

As a visitor comes from the entrance which is a covered exterior they are then brought into the central courtyard with the large skylights opening the spaces.

Comments

  1. AnonymousApril 9, 2017 at 12:12 AM

    http://www.archdaily.com/159193/ad-classics-yale-center-for-british-art-louis-kahn

    ReplyDelete

Post a Comment

Popular posts from this blog

Tadao Ando- Koshino House- MATERIALS

Image
Another factor worth noting is that there are no decorative elements. The view provided by the wide openings along with the shadows cast by the narrow openings and skylights, and the texture of the concrete both combined, operate as the only ornamentation. Smooth Concrete All the walls are made of this material and are free of ornamentation and in their natural form. Tadao Ando used this material because it is a way to admit light and wind within the walls and creating a sense of serenity and wide open spaces. Another reason why using this material is due to industrialization and technological resources to which access is the architect living in a developed country such as Japan. Glass Widely used to make large glass windows throughout the house. The reason for using this material is giving way to large quantities of light and offer a view of the garden.
Read more

Detail - Context - Carlo Scarpa, Querini Stampalia Restoration 1949

Image
Balanced combination of old and new. The newly constructed bridge that is next to the old both physically and metaphorically represents Scarpa trying to "bridge" the history and the new together. "Visual Logic" is what Scarpa called of the building's different parts, because of its constant sense of fusion between the old and the new. For example, the two new elements Scarpa inserted into the old facade: a gateway for boats, made of a highly textured woven iron within the existing heavy masonry wall.
Read more